This is an amazing photo of Ed Miliband (UK leader of the Labour Party) staring into space, at a visit to a school. The blog, Visual Culture have analysed it better than I could, so I recommend reading their post here.
It reminds me of Ed’s brother David, being attacked by confetti and caught on camera looking rather stupid:
I think Mark Simpson might be interested in these photos and the commentary that goes with them, because he is forever observing and analysing the ‘look’ of politicians, which, in these metrosexy times, is more important than their policies.
Someone else who may be interested is Michel Foucault. In an interview back in 1974 he said:
Power has an erotic charge. There’s an historical problem involved here. How is it that Nazism-which was represented by shabby, pathetic puritanical characters laughably Victorian old maids, or at best, smutty individuals-how has it now managed to become, in France, in Germany, in the United States, in all pornographic literature throughout the world, the ultimate symbol of eroticism? Every shoddy erotic fantasy is now attributed to Nazism. Which raises a fundamentally serious problem: how do you love power? Nobody loves power any more. This kind of affective, erotic attachment, this desire one has for power, for power that’s exercised over you, doesn’t exist any more. The monarchy and its rituals were created to stimulate this sort of erotic relationship towards power. The massive Stalinist apparatus, and even that of Hitler, were constructed for the same purpose. But it’s all collapsed in ruins and obviously you can’t be in love with Brezhnev, Pompidou or Nixon. In a pinch you might love de Gaulle, Kennedy or Churchill.
But what’s going on at the moment? Aren’t we witnessing beginnings of a re-eroticization of power, taken to a pathetic, ridiculous extreme by the porn-shops with Nazi insignia that you can find in the United States and (a much more acceptable but just as ridiculous version) in the behaviour of Giscard d’Estaing when he says, “I’m going to march down the streets in a lounge suit, shaking hands with ordinary people and kids on half-day holidays”? It’s a fact that Giscard has built part of his campaign not only on his fine physical bearing but also on a certain eroticizing of his character, his stylishness[i] – Michel Foucault.
[i] Michel Foucault (1996) ‘Film and Popular Memory’ in Foucault Live (Interviews, 1961-1984),New York: Semiotext(e), p. 127. French original 1974.
Photo of D Miliband via http://enemiesofreason.co.uk/2010/09/29/pictures-of-david-miliband-looking-stupid/