Archive for the ‘Masculinities’ Category

david-beckham

As David Beckham hangs up his custom-made designer football boots for good, I would like to say a few words in honour of the metrotastic sporno star.

becksend

Terrible pun headlines aside, most of the response to this news has been kind to the ageing footballer, remembering Becks as an honourable captain of England and a committed team player. One journalist did say that at times he could be a petulant peacock, but can’t we all?

However if you thought this is the last we will see of the man of many hairstyles, on our TVs, in our newspapers, and in our underwear, then think again. For Beckham isn’t retiring at all. His main ingredient in his career portfolio over the last few years has been his tarty metrosexual display. When he was given the illustrious job of carrying the Olympic torch to the London stadium last year, it wasn’t in recognition of his passing skills, but rather for his untiring service to metrosexuality.

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David-Beckham-HM-2

I think it’s interesting that in the same week a much loved star of pitch and beauty parlour has been celebrated, journalists and a certain Labour politician have been going on about a so-called crisis of masculinity.

I will write a proper response to that soon. But I think it’s worth pointing out that one reason sports journalism doesn’t completely annoy and depress me unlike most mainstream media output, is that it is positive about men and what they do. Beckham has been a perfect subject for all those lovely long column inches, and will continue to be so for many years to come. I’ll only get maudlin if he hangs up his hair gel for good.

The+Libertines+lib
Remember the Libertines and that explosive, intense, doomed love affair between Doherty and Barat? This photo of them, topless, sweaty, lips touching over the mic (dick?) sums their homo love up beautifully. I don’t care if they fucked or not, the sexual tension that powered their music was enough for me.
I’m mentioning this because according to tumblr, One Direction that squeaky clean British boy band, have also done some mic -licking recently. You can see the animated gif here.
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According to ‘gay academic’ Mark Mccormack One Direction are an embodiment of a new, ‘inclusive’, ‘softening masculinity’ that allows for ‘playing with sexuality’ even if they’re straight.  Softness v Hardness aside, I and @lindygeek reminded Dr Mccormack on twitter, that this kind of homosocial flirtatious bonding between men in pop is nothing new. See Bowie, Prince, Little Richard etc:
mcm
And, who is it who is headlining Glastonbury this year? Yes, some kings and queens of ‘omnisexual’ rock and roll: The Rolling Stones.  I rest my case.
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Freud might have a field day with this ‘Man Extreme’  ad. The (phallic?) snake, eagle and lion are asking to be interpreted more than I have time for here. And anyway I am a bit preoccupied with the name of this gentle perfume: Man Extreme is a bit, well, extreme for something so fragrant. It’s ok, fellas, you can smell like lavender and patchouli if you want. That doesn’t make you a girl. Or does it?
 
Metrosexuality seems to be so blatant, so ‘out’, so obviously ‘feminine’ in many ways – those tits! those legs! that make up! that hair! – that it is no wonder many men, whatever their sexual identity, are a little bit anxious about giving in to something that seriously puts their ‘traditional masculinity’ into question. Before we blame straight men for this macho reaction to the explosion of men’s beautiful self-love, let’s not forget that the ‘gay beard’ craze is just as uptight and macho as any heterosexual expression of ‘manly’ anxiety. Remember 2011′s popular beardy ‘gay movie’ Weekend? And don’t get me started on GayBros - ‘straight acting’ gays who make the 70s Clones look positively forward thinking!
 
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Then there’s Ballet Boyz. On one hand, this bunch of pirouetting peacocks remind us how comfortable young men are these days with a) showing off their bodies, b) embracing their ‘feminine’ side, and c) showing off their bodies.
 
 
On the other hand, there’s some familiar ‘disavowal’ of full on feminine flamboyance going on.  There’s the obvious ‘manly strap on’ in the name – Ballet BOYZ, with an added hard man hip hop flavour. And there’s the slightly ‘laddish’ (No Homo) atmosphere of an all-men dance company, run by two men, that enables a (bearded!) Guardian journalist to say:
 
“[the company] doesn’t do ballet. Instead, it does 21st-century choreography with a muscular and occasionally dangerous edge.”
 
Phew!  that’s ok then!
 
It is within this rather ‘backs to the wall’  21st century context of pretty boy, pretty insecure masculinity that Dove for Men have launched a new shampoo. And in which a Brazilian ad for their metrotastic hair care product has caused heads to turn.
 
 
Dove has traditionally described itself as being For Women. So when they launched their Dove Men cosmetics and toiletries range they needed to set it apart from the girls’ stuff.  And they’ve come up with quite an ingenious way of doing so. Judging by the reactions on twitter and elsewhere, this ad is a hit. But why? The advert involves an office worker who is plagued by long luscious locks, a la Pantene for women, and is only rescued by a colleague telling him how Dove for Men can restore his masculinity. Critics have called it ‘confused‘, as it veers between taking the piss out of men wearing ‘feminine’ cosmetics and celebrating (and of course selling) that very idea. But I think the cleverness of this commercial lies in its willingness to embrace the confusion that many men experience when buying into consumerism and narcissism, but also worrying about whether or not they are ‘still a man’. So the machismo that Dove are obviously espousing and exploiting is also subtly put into question and sent up.  Does shampoo really make your hair grow long and shiny? Of course not. As this tweet shows, the silliness of the premise is part of the ad’s success:
 
And making a man enact the exaggerated, posing, overly ‘coquettish’ movements of a woman in a shampoo ad, a subtle but not-missed message is put across about how ridiculous and unrealistic this version of OTT femininity is, and how gendered marketing for the same products is kind of lame in 2013. But for many men (and maybe women too) watching, whilst they are laughing at the joke, they are also reassured by it. Dove for men is a real brand, selling real shampoo to ‘real men’.
 
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You’d think that maybe one group of people who are not convinced by these manly marketing strategies would be the ‘beauty bloggers’ and ‘male grooming’ bloggers who see these gimmicks day in and day out. But  the fact that consumer experts such as Grooming Guru are, despite a few misgivings, convinced by products labelled as ‘For Men’ shows how metrosexuality is still  somehow threatening, even to the most enthusiastic metrosexual men. GG says:
 

‘I’ve personally always found the ‘man’ prefix superfluous and silly (though I still think the “For Men” tag has value for brands like Nivea, Clinique and L’Oreal who need to differentiate their men’s lines (often reformulated to suit men’s skin and its unique needs) from women’s. So come on guys, don’t spoil your perfectly good products with thoroughly daft names okay?’

Pushing products ‘for men’ may of course in one sense be a wheeze to make more money – it creates two markets where once there was one – but I don’t think this is the whole story of Dove for Men, Or Man Extreme, or Ballet Boyz. Because the ‘market’ of men’s vanity and self-love (not to mention dance) has been growing and going strong for a long time now. I don’t think anything, not even – gasp! – gender neutral packaging would stop the tide of metrosexual consumerism.  But while that phenomenon is here, it may as well also do the job of soothing men’s troubled, but oh so moisturised brows, about their anxiety over what it means to be a ‘man’ in the modern age. Going back to Freud, I think that in the early part of the 20th century, he was exploring how the gender binary is a form of ‘neurosis’. Now, in the 21st century, I would like us to admit that as long as we split people into this arbitrary division between ‘men’ and ‘women’ and try and flatten out human complexity and the many many ways of expressing our identities, we will be stuck with silly, complicated but ultimately macho ads like the Dove for Men one.

The gender binary, unfortunately, seems to be a winning formula. But I’m not buying.

It seems some how so inevitable that Gay I mean Guy Ritchie would direct Beckham one day, that this H and M knickers ad is not exactly world-changing.

But it shows off The Body nicely, and reminds us that whilst metrosexuality likes to adorn itself with fashion labels, it is really all about tits and abs.

And as Mr Ritchie  knows, Becks’ bodywork is still holding up pretty well, even as he becomes an ageing star. When Beckham moved to Paris recently and promised to donate his salary to charity, the Mirror named him ‘Saint Becks’. It is not easy to find, but I would like to think of him as having a bit of bad boy in him somewhere, like those other Sainted stars Saint Morrissey and Saint Genet. However, Becks is certainly an icon.

tom daley

article-2266009/Tom-Daley-knocks-David-Beckham-spot-annual-poll-hottest-men.html

It’s hardly surprising an 18 year old, who is currently – er – splashed all over our TV and media, would usurp ageing David Beckham as the king/queen of metrosexual masculinity. So Heat’s latest list  of ‘hottest hunks’ is just reflecting public opinion. But, the Daily Mail, which I find much more positive in general about metro boys than other papers (especially the Graun) has felt the need to frame this event in a very ‘heterosexist’ way. According to the Mail:

‘And it seems that Tom Daley’s grueling work-out regime has paid off in more ways than one after coming top of Heat Magazine’s annual ‘Hottest Hunks’ poll.

The 18-year-old has toppled heartthrob David Beckham from the number one spot after gaining a legion of female followers thanks to his toned torso.’

I guess it is also not surprising that the story of Daley’s ascendance would be accompanied by some metrosexual denial. But following the #Splash twitter hashtag, it is clear that Daley has plenty of men fans, and that even if young men are not lusting after him but rather aspiring to be like him, it is his tits and abs they are emulating, not his backwards pike.

 

 

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With the recent horrendous female supremacist bluster about who are the  ’real women‘ of this world, I was delighted to be shown this video today.

Because, old hags I mean hacks like Burchill and Moore are not only nasty they are also waaaaay behind the zeitgeist. Metrosexual masculinity, with a little help from its friends, is refashioning gender into something more fluid, more fun, and more flamboyant than those two dames can even imagine.

Hurrah for Donatella Versace and her beautiful beaus in black lace panties. And hurrah for all those men who went before them – often in secret but sometimes out in the open- who cross dressed before it was trendy. And hurrah for the  women who won’t let themselves be erased by a middle aged London media set’s narrow minded view of ‘authentic’ womanhood. These are our interesting times.

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h/t @themichaelmoran

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Late last year there erupted a furore over an article published at the Good Men Project, by someone who admitted to having raped someone. I am not going to re-tread over that ground now. There is a good post discussing some of the issues by our very own stoner with a boner if you are interested.

I just want to draw attention to the fact that, during this hoo ha between feminists, the GMP and others, I noticed that an essay by me, Rape Culture and Other Feminist Myths, had been removed from the  Good Men Project website. Along with some work by another ‘anti feminist’ woman blogger, Girl Writes What. I don’t know the exact timing of the deletions (and my other essays for GMP were shifted from the main site to their lesser known Good Life Blog). But I am slightly perturbed that whilst it was the GMP executives, Tom Matlack and Lisa Hickey, who had caused the wrath of the feminasties, Girl Writes What and I seemed to be being scapegoated. If the GMP had ‘gone too far’ and annoyed feminist readers and writers, they had to ‘make amends’ somehow. And it looks like they have done so by removing writing that has already annoyed feminists.

 I always had issues with the Good Men Project, but I saw value in working with them and writing for them from time to time. I can’t help but feel that ironically, since uber -feminist GMP editor Hugo Schwyzer left the site quite a while ago, the ship has gone adrift. Where once there was some sort of balance between Schwyzer’s feminist ‘line’ and a more questioning, dare I say it? Pro-men stance from Tom Matlack, now there seems to be confusion and a void. And when it comes to gender politics, if there is so much as a crack in the paintwork of a ‘non-feminist’ space feminism will come and fill it, and take the whole show over.
 
So now we are left with a site about men that is kow-towing to feminism, and does not welcome non-feminist women or men! I am used to being the ‘bad girl’ now, and feel no personal loss at falling out of favour with the GMP. But I am  no longer interested in what GMP has to say about men, women, or gender issues. There are plenty of good men – and women – and those who identify otherwise – writing about these things in other places, such as A Voice For Men, MRA London blog male femme, stoner with a boner and of course, here, at QRGHQ.

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Get out the red carpet, it’s awards season, dahlinks! Over at Grooming Guru HQ, a veritable metrotastic emporium, ‘Lab Series’ has won the male beauty – sorry I mean male grooming – brand of the year 2012. Not being one for facial scrubs, I know nothing of this product. But I have an award for metrosexy brand of the year myself.

In the autumn, I discussed the merits and problems with Brad Pitt‘s appearance as the new ‘face’ of women’s perfume, Chanel No. 5. Overall I thought this marriage was almost as successful as Brangelina.

And now I am going to come all out and say that Chanel is my metrosexy brand of the year. The tagline for Brad’s ad is ‘Inevitable’. And the reason Chanel is my winner is that Brad for Chanel underlines just how inevitable it is that one day an iconic ‘manly’ movie star would represent an iconic women’s perfume. That in time, metrosexuality would permeate the whole of our culture. Chanel are not being pioneers here. With men already having been ‘cover girls’ for Men’s Health, Gay Times, X Factor, Nivea for Men, etc, the ‘passive’, ‘feminine’ man model is nothing new. But for such a huge brand as Chanel to embrace the zeitgeist secures metrosexuality as THE ‘brand’ of masculinity today.

And, whether you love or hate Brad’s TV advert, you have  to admit that if something can be spoofed it usually means it’s not a total failure. And this spoof by an American TV show is really metrotastically funny!

http://www.usatoday.com/story/entertainment/2012/10/19/team-coco-conan-spoofs-brad-pitts-chanel-no-5-ad/1644589/

So well done Brad and Chanel, you’re QRG’s Metrosexy Brand of the year 2012! Pass me the Babycham I am going to celebrate in style.

Often overshadowed by its big-pecced pert-assed cousin, Abercrombie and Fitch, the all-American ‘Preppy’ brand Tommy Hilfiger has come back fighting with this metrotastic advert.

And MetroAuntie can’t help but feel warmed in the cockles of her voyeuristic heart.  Partly because the slightly hipsteresque twee yet easy on the eye ad from Hilfiger is a great example of the self-admiring, omnisexual,  metrosexy ‘gaze’. This is what has been blatantly ignored by a recent ‘eye tracking study’ that I linked to on twitter on December 2nd, 2012, saying:

‘plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0047870 … The study this piece is based on on men, women, the ‘gaze’ http://www.telegraph.co.uk/health/healthnews/9715256/Revealed-women-are-the-secret-oglers.html … only had 52 participants! #BadScience

https://twitter.com/Notorious_QRG/status/274840475255586816

Forget the uptight, homoanxious science academics, we know men love to look at each other and themselves, and so does Tommy Hilfiger!

Today is Little Richard’s 80th Birthday!  I can’t help but hope that Camille Paglia might be celebrating the occasion, with pinocalada and some old 78s. Because Good Golly Miss Molly! if the great ball of fire that is Little Richard isn’t a ‘sexual dissident’ I don’t know who is.

It has been well documented that along with Elvis and maybe even Gorgeous Liberace, Little Richard helped produce the strutting, preening, sequinned phenomenon of Glam Rock. But it’s not just skinny white boys that Richard has influenced. When a couple of years ago, I first encountered the amazing Janelle Monae, I wondered if he might have been her grandfather!

The echoes of Little Richard in Janelle Monae reflect the way that metrosexuality is not just a ‘feminine’ expression of masculinity. It is actually a breakdown of gender difference itself! And men’s increasing flamboyance is best understood in relation to women’s growing ‘active’ and sometimes quite ‘butch’ stance. There would be no Little Richard without Marlene Dietrich, no David Beckham without Suzi Quatro, no Morrissey without Elsie Tanner. Glam men are accompanied by and influenced by and reinforced by Punk Women.

Little Richard interests me for another reason. ‘Black Music’ for want of a better term has a reputation for being ‘macho’ and aggressive, an expression of ‘traditional’ (often meaning, especially in relation to hip hop, violent) masculinity. But thanks to pioneers such as Little Richard, there are some brilliant gender blurring R and B and Hip Hop bands and artists. Do I have to remind you of the narcissistic, sexually ambiguous, lame-clad Prince?

 Or what about the retro, yet metro Outkast?

When I saw Ice T’s great documentary about this history and  ‘literary’ culture of Rap Music, The Art Of Rap, I couldn’t help noticing how ‘self-loving’ a lot of the artists featured were, from their gold chains and nifty trainers to their colourful suits, coiffured hair and the way they courted the camera’s gaze. 

There is another reason to open the babycham, metro lovers and gender benders. Because finally, in 2012, the pathologising term ’gender identity disorder’ has been removed from the American ‘Bible’ of psychiatry, the Diagnostic and Stastical Manual of Psychiatric Disorders. This news will hopefully please Juliet Jacques who has recently published her final column in her Guardian Transgender Journey series. Her writing has shown that far from being ‘weird’ or ‘sick’, trans people’s experiences, feelings and ideas can be representative of the human condition as a whole. I only hope that the DSM maintains this sensible streak and deletes narcissism from its statutes too. But the problem with narcissism is that it is not possible to separate it into a ‘separate gender’ (though I’d argue our attempts to do so with trans identities fail too). So if we admit that narcissism is not a problem, we are conceding that everyone, men and women and those who identify as neither, have a touch of the Little Richard about them.

And that is even to MetroAuntie, quite a scary thought!